Instead, Poole decided to scrap the segment and re-shoot with Fisk and Donovan. When Fisk's scene partner from Bayside heard about the potential distribution deal, he refused to sign release forms until he was guaranteed 20% of the profits. He hired Tommy Moore and Casey Donovan for the third segment, Inside. The success of that initial shoot convinced Poole to plan two more segments and seek theatrical distribution for the completed work.
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After watching the film, he said to a friend, "This is the worst, ugliest movie I've ever seen! Somebody oughta be able to do something better than this." Poole was convinced that he was that somebody "I wanted a film that gay people could look at and say, 'I don't mind being gay - it's beautiful to see those people do what they're doing.'" Having enlisted the help of his lover Peter Fisk and another man, Poole first shot a 10-minute segment titled Bayside. Poole was inspired to make the film after he went with some friends to see a film called Highway Hustler. The segment ends following Donovan's climax with the dildo, with the real Moore coming inside the house and closing the door behind them. The remainder of the segment consists of Donovan's fantasized sexual encounters with Moore throughout the house intercut with shots of Donovan sniffing poppers and penetrating himself with a large black dildo. Donovan spots Moore from his balcony, and Moore sees Donovan as well.
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The scene closes with the two engaged in horseplay in the pool and then walking off together down a boardwalk. Di Cioccio turns the tables and tops Donovan until Donovan's climax. The two couple by the pool, with each performing oral sex on the other and Donovan penetrating Di Cioccio in a variety of positions. The water starts to churn and dark-haired Danny Di Cioccio emerges to Donovan's delight. Inside is a tablet, which he throws into the pool. After a number of days pass (marked by fluttering calendar pages), he receives a reply in the form of a package. Intrigued by an ad in the back of the paper, Donovan writes a letter in response. He returns to his house, strips by the pool and begins reading.
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They kiss and touch each other, then Donovan takes a studded leather strap from Fisk's wrist and attaches it around Fisk's genitalia. Fisk grabs the blanket and follows, catching up to Donovan in a clearing. Fisk performs oral sex on Donovan, who then leads Fisk into the woods. Suddenly, out in the water, blond naked Donovan appears and runs up onto the beach to Fisk. He strips and sits on blanket, watching the sea intently.
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Promoted by Poole with an advertising campaign unprecedented for a pornographic feature, it premiered in 1971 at the 253-seat 55th Street Playhouse in Manhattan, where it was an immediate critical and commercial success. Produced on a budget of about $8,000, the film collects three segments depicting Donovan's sexual adventures at a gay beach resort.
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It was the first gay porn film to include credits and to be reviewed by the film industry journal Variety, and one of the earliest porn films – after Andy Warhol's 1969 film Blue Movie, but preceding 1972's Deep Throat – to gain mainstream credibility. The 1971 film was directed by Wakefield Poole and stars Casey Donovan. Boys in the Sand is a landmark American gay pornographic film, released early in the Golden Age of Porn.